B.A. France
Poetry and Writing
Haiku, Senryu, Poetry & More
Who?
B.A. France is a writer, poet, and waterman living in the Chesapeake Bay region of the United States. His poetry has appeared in numerous journals and anthologies and his chapbooks Season's End , ink drinkers, and his collaborative e-chap with Orrin Pre-Jean Retweets.
Where has the work appeared?
Akitsu Quarterly Failed Haiku
Autumn Moon Haiku Journal Wales Haiku Journal
Modern Haiku Under the Basho
Last Leaves Fireflies' Light
Poetry Pea Cantos
Prune Juice Presence
Ribbons Seashores
Shot Glass Journal Cold Moon Journal
... and more
ink Drinkers
A chapbook of senryu poetry published in March of 2023 with
Alien Buddha Press.
“Intoxicating from the first word, ink drinkers flows smoothly from one poem to the next. Served straight up, B.A. Frances’s senryu musings on life and writing will leave you asking for another round.”
- Bryan Rickert, poet & editor of
Failed Haiku Journal of Senryu
“B.A. France writes senryu that dives deep into the psychology/emotions of everyday people, their impulses, actions, and more. He writes senryu that has 'Self' as the starting point. This poet's senryu gives off a rich, resonant, and lingering scent/feeling that will leave one very impressed. ink drinkers provides quality senryu that stands on its own and will have the reader coming back again and again.”
- Orrin Préjean, senryu poet &
author of Dewdrop World
You can find it at Amazon, click on the cover.
Season's End
My first chapbook Season's End was published in March of 2021 under the Alabaster Leaves imprint of Kelsay Books.
You can find it in the Kelsay Books Bookstore, at Barnes & Noble, as well as Amazon and other booksellers.
Retweets (w/ Orrin PréJean)
An open-access e-chapbook, Retweets is a collaboration with
Orrin PréJean-Champs published in September 2021 and based on our shared engagement with senryu on social media.
You can find it in The Haiku Foundation's Digital Library and
for free download from the authors..
Why haiku and Tanshi?
"What matters is being in the moment. What matters is stretching our observational muscles. What matters is finding a moment, just a single moment, to be grateful for. What matters is finding our creativity again. And during this time, working simply with seventeen syllables or less, maybe we will find that we can."
From my essay "Billy Collins and the Pandemic Haiku" which you can read at South 85 Journal.
Some Poetry ...
Haiku
lightning storm
inside
the candle's glass
- Akitsu Quarterly
resteeped tea —
an evening of
second chances
- Fireflies' Light
Senryu
sound of waves
on the virtual sand
... blue emptiness
- Failed Haiku
last third
of the poetry journal
... pouring scotch
- Prune Juice